keskiviikko 30. syyskuuta 2015

Trigger 5: How to Manage Your Reputation Through Good Crisis Communication?

Problem: How to Manage Your Reputation Through Good Crisis Communication?

Learning Objective 1: how to prepare for a crisis?

Use these 10 steps to gain the advantage and proactively prepare for the worst.

1. Identify your crisis communications team — a small group of senior executives.
Ideally, the company CEO leads with the top public relations executive and legal counsel as chief advisers.

2. Identify spokespersons.
They are the only ones authorized to speak for the company in times of crisis. Some executives are brilliant at business, but not very effective communicators.

3. Spokesperson training.
Well-intentioned executives believe they don’t need professional training on speaking to the media. Beware. Aggressive reporting and not knowing how to get “the most important news” across to the interviewer can devastate your company.

4. Establish communications protocols.
Establish an emergency communications “tree” and distribute it to all company employees, informing them of what to do and who to call if there’s an actual or potential crisis.

5. Identify and know your audiences – internal and external.
Remember your employees, the community, media, customers, private investors, SEC requirements and regulatory agencies.

6. Anticipate crises.
Be proactive and brainstorm potential crises. Modifying existing methods of operation often can prevent crises. Take time to plan layoffs, acquisitions and other news to avoid operating in crisis mode.

7. Assess the situation.
Reacting without adequate information is a classic “shoot first and ask questions later” scenario. With proper planning, you can follow your own crisis plan.

8. Identify key messages.
Keep it simple with no more than three main messages for all audiences and a few messages targeted specifically at key audiences.

9. Decide on communications methods.
Brief employees, clients, prospects, community and investors personally or via text messages, e-mails, social media. Distribute news releases, letters or hold briefings and news conferences for the media.

10. Ride out the storm.
Some of your audiences will not react the way you want. Take an objective look at the reactions. Decide if making an additional communication is worth the effort.

By following these steps, you create a plan that can be used at any time in the event of a crisis. Provide copies to all department heads and managers. Keep copies of this plan available in hard copy and on the computer network. Once your plan is developed, keep it handy for review and schedule practice drills. Having a mock crisis helps you prepare for the real thing. The crisis team should meet twice a year to review and update the plan. The team should also evaluate the plan after each mock crisis.

http://www.axiapr.com/blog/prepare-your-company-for-crisis


Learning Objective 2: how to manage a crisis?

In the online era, it becomes critical for the business of any size to have a social media crisis management plan – or even better, a crisis prevention plan – in place for those times when things go wrong. And it is truly the matter of “when” vs. “if.”

Let’s take a look at some of the ways to avoid social media disasters, prevent them from escalating, or handle things if everything goes sideways.

1.    Listen and Be Present

In the past, companies like The Gap have been accused of not responding to customers’ concerns about faulty merchandise or refund issues – simply because they were not set up to handle customer service problems through their social media channels. Unfortunately, in the digital age, not listening to the social chatter or having presence on social communities can reflect badly on your brand. Even responding with a simple link to the correct website page is helpful – and shows your customers you take them seriously.

And listen! Sometimes social listening tools will pick up the chatter about a topic that you may not expect and will give you time to address it before it blows up within the social stratosphere. Most of the brand disasters could have been prevented just by picking up the early chatter and being prepared to address it before it escalates.

2.    Set The Right Expectations

If you are a small business or have limited bandwidth to respond to customer inquiries in real-time, then set the right expectations upfront on the timing within which people should expect your response. 24, 48, 72 hours… Be specific and make that expectation visible to ensure it is seen. But always stick to it.

3.    Be Transparent

Certain companies have been guilty of removing posts they didn’t agree with, ignoring those posts, or else claiming that they had been hacked, when they clearly hadn’t. Trying to cover up or remove justified but negative comments can make you look as if you are ignoring a problem or, worse off, don’t care about the customers. It is critical to be honest and upfront about any issues you or your company may be facing. If you made a mistake, admit it, apologize, and do everything in your power to correct it. We are all human and humans make mistakes. Your customers don’t expect you and your teams to be perfect, just transparent and honest. They expect you treat them like family, a part of your tribe, and that means not betraying their trust with back-peddling and cover ups.

Warren Buffet once said: “It takes 20 years to build a reputation and five minutes to ruin it. If you think about that, you’ll do things differently.”

4.    Respond Thoughtfully

It’s worth putting some effort into writing a thoughtful reply aimed at addressing your customers’ concerns. Showing that you care about their experience and are willing to address problems (or even go above and beyond) is a great way of actually winning around critics and turning them into fans. According to The Retail Consumer Report, commissioned by RightNow and conducted online by Harris Interactive in January 2011, of those customers who received a reply in response to their negative review 33% turned around and posted a positive review, and 34% deleted their original negative review. 85% of consumers said they would be willing to pay anywhere between 5-25% over the standard price to ensure a superior customer experience.

Caring really pays off. It builds trust and allows you to further nurture relationships with your current customers. Word-of-mouth recommendation from your current satisfied customers are much more influential than your own brand messages, and they will bring new customers in.

5.    Do Not Lose Your Cool – Ever

There may be times when you disagree with your customers. But being rude or attacking them in social forums is absolutely unacceptable. Provide the best information you can and do your best to satisfy every inquiry. If nothing helps and a customer insists on being rude and un-cooperative, just ignore him/her and move on; in those rare times, no matter what you do, nothing will probably be good enough.

And don’t take everything personally. The customer isn’t angry with you, (s)he frustrated with the product or a brand as a whole. Don’t take these interactions personally. Just do your best to help them out and move on.

6.    Have a Crisis Management Team In Place

Going back to my point #1…When you pick up a digital chatter around a specific issue, you have a great opportunity to address it before it blows up in your face. But be sure you have the way to quickly escalate and resolve the issue. This process should be a part of your overall crisis management plan. I suggest forming a team consisting of team members from PR, HR, legal, marketing, and other relevant teams that can come together to quickly craft and post a response that would quite down the chatter and will help solve the issue at hand.

7.    Manage Access To Your Social Media Accounts Carefully

There have been instances of employees posting personal updates to brand accounts not realizing that they haven’t switched to the right account. Making sure you are limiting access to only knowledgeable community managers who have appropriate training with avoid mistakes such as these.

And then there is a process for managing access when employees switch jobs or leave the company altogether. When music retail chain HMV laid off a large number of its employees in January 2013, bosses didn’t realize their marketing team – who had been made redundant – still had access to the brand’s social media sites. The team went online to protest at the way the situation had been handled by executives, tweeting statements like “There are over 60 of us being fired at once! Mass execution of loyal employees who love the brand. #hmvXFactorFiring”  before they were finally shut down.

8.    Post Moderation Guidelines

Most sites have their own Terms and Conditions, but you can also post your own moderation guidelines on your social media pages to make it obvious what behavior will or will not be tolerated within your social communities. Being up-front about your “house rules” makes it simpler to take down offensive posts by referring to your rules and pointing out how they were violated.

9.    Hire Experienced Community Managers

There are still some organizations that treat social media communities like an afterthought and leave it to the interns to post an occasional tweet. Your social media is every bit a part of your brand image and reputation – so hire professionals! A community manager should be experienced, know your brand in and out, understand your brand’s voice and personality, and, most importantly, love your customers. Community manager is a critical position that serves as a voice of a customer within your organization, so don’t underestimate it. Plus, a seasoned community manager will know the right way to deal with disgruntled customers, be able to deal with social media take-over attempts, and know when to take the conversation off-line.

10.  And Remember… You Will Never Please Everybody

Sometimes, as a leader and as a brand, you will have to be willing to be misunderstood. If you strongly believe in what you are doing or in a specific point of view, but some people don’t share the same opinion, you will have to be willing to stand by your decision. In this case you will have to be prepared to be transparent and honest about it, share the reasons why you feel so strongly about the subject, and be prepared to calmly address the questions and criticism that come your way. That is where your social communities become even more important – this is the opportunity for your fans and your tribe (people who share your point of view and believe in the same vision) to chime in and help support your message/cause. In cases such as these organic brand love and advocacy are powerful allies in defending brand’s reputation and spreading brand’s message.

Everybody makes mistakes. But having a solid plan in place to address the negative whiplash or complaints in a timely and transparent manner will not only help preserve your company’s reputation, but confirm yet again that you are a business that cares about its customers and willing to go an extra mile to make them happy and live up to your reputation.

http://www.forbes.com/sites/ekaterinawalter/2013/11/12/10-tips-for-reputation-and-crisis-management-in-the-digital-world/

Examples:

Good

Toyota's recall fiasco (2010)

The crisis: Toyota recalled a total of 8.8 million vehicles for safety defects, including a problem where the car's accelerator would jam, which caused multiple deaths.

How Toyota responded: Toyota initially couldn't figure out the exact problem, but it sent out PR teams to try and stop the media backlash anyway. The upper management was invisible in the early stages of the crisis, skewing public perception further against the company.

Toyota's response was slow, with devastating results. But it served as a wake-up call for the company, which somehow turned it around in the months following the debacle.

The company failed miserably in its initial crisis management, but that's what makes Toyota's case so intriguing. Despite its monumental mistakes early on, Toyota still bounced back. Why?

It didn't take long for the public to remember Toyota's previously stellar reputation.  The company offered extended warranties and pumped up marketing, leveraging its long-term track record and reassuring consumers about safety.

Its ads in the following months were more thoughtful and sincere, showing the company's dedication to fixing the problem. Toyota's executives -- especially in the US -- became more visible, speaking to the media and becoming active in the investigations.

The result: The Toyota brand showcased its resiliency, with its positive reputation built up over decades of good performance. The company leveraged this, focusing its marketing once again on safety and its proven track record. It had to show that this disaster -- including its own horrible mishandling of the situation -- was an aberration.

And it worked, with a little bit a of luck. NASA exonerated Toyota of the blame for most of the accidents in 2011 and the company's brand equity leapt 11% this year, according to WPP.


The Red Cross' rogue tweet (2011)

The crisis: One of the Red Cross' social media employees accidentally sent the tweet -- which was meant for her private account -- and didn't realize it. It stayed up for about an hour before the company's social media director was alerted and took it down.

How the Red Cross responded: Social media director Wendy Harman followed up with a humorous tweet from the official Twitter account and acknowledged the mistake.

It got support from Dogfish Head too, who embraced the hashtag #gettngslizzerd and encouraged its followers to donate to the Red Cross.

The result: The tweet generated a bit of buzz among bloggers and the Twitterverse, but so did the fun response by the company.   

Fortunately for the Red Cross, although the nature of the tweet wasn't professional, it wasn't too controversial. Nobody was outraged, and the Red Cross had to deal with nothing more than a little embarrassment.

http://www.businessinsider.com/pr-disasters-crisis-management-2011-5?op=1&IR=T

Bad:

If you want to know how to make a bad crisis worse, follow BP's example.

The Gulf of Mexico oil spill is huge. It would cover an area from Birmingham to the North Sea to France and to Southampton, if it was centred on London. I suspect that we would not be very happy about such an oil spill in the UK by an American company.

Faced with this disaster how has Tony Hayward, the CEO of BP, coped? Not well.

Self pity "What the hell did we do to deserve this?" (April 29th) and then, infamously: "I want my life back" (May 31st): the eleven workers who were killed in the disaster would also like their lives back please, Tony.

Denial: ""the Gulf of Mexico is a very big ocean. The amount of volume of oil and dispersant we are putting into it is tiny in relation to the total water volume." (May 14th) followed up on May 18th by "I think the environmental impact of this disaster is likely to be very, very modest," This far into the crisis, this shows profound misjudgement.

Arrogance and insensitivity: "I'm a Brit, I can take it. (June 4th): that's a nice way to incense the Americans, especially after he assured them he slept well at night (May 18th). Finally, he showed supreme misjudgement in declaring "I don't feel my job is on the line" (May 31st). Wakey wakey Tony: you are not only the most reviled person in America, your job and your company is on the line.

Faced with disaster there are a few simple rule to follow:

    Recognise the problem early: denial is bad
    Move to action fast: analysis and the blame game can come later, if ever.
    Over-react, if necessary. Insurers know that a claim dealt with fast costs less than a claim dealt with slowly. Do it whatever it takes to fix the problem.
    Show some empathy with people on the wrong end of things: don't go all introverted and play the victim card ("I want my life back").
    Over-communicate, especially with the key stakeholders.

It is staggering that a huge company in a crisis-prone industry could handle a crisis so badly.

Much of the blame attaches to the CEO. The only reason for not firing him today is so that he can take all the heat and then a new CEO can start with a clean slate. But on the other hand, his gaffes are now putting the whole business at risk. Its time for him to go.

http://www.cbsnews.com/news/bp-oil-spill-crisis-management-how-not-to-do-it/

Learning Objective 3: how to manage your reputation after a crisis?

Most important of all–in any crisis–is to short-circuit denial! It’s a human trait when disaster strikes to go straight into “this can not possibly be happening to me.” Or “if it is happening, it can not be that bad.” Or, “even if it IS that bad, no one will ever notice…” The more quickly you move beyond this denial, the more quickly you can put in the right fixes … and that makes all the difference to how the crisis will unfold, and how you will be remembered.

So, here are, straight out of my client letter, and out of my well of 125 hard-learned lessons of crisis management and recovery, 13 of the most important ones.


1. Just because you may have gotten away with something before–or know of others who have–do not assume that you will do so now. Assume that–eventually–all will be known, and design your actions accordingly.

2. Control your emotions. Just when your emotions will be going wild, you must conquer them and think strategically and smartly.

3. Keep your eyes on the outside. You will be tempted to withdraw into your inner world, but keep focused on the exterior reaction. You’ll make better decisions and it could help privately as well.

4. Move quickly to assess the situation and damage, and to not only publically strike the right note, but to start doing the right things.

5. Figure out what the right note–message, tone, words, delivery mechanism–is.

6. Never make a public denial when it’s a lie–there is no better way to be hated.

7. Each crisis is different–the particulars matter. So never just copy the responses of others, though you can learn from those who have done it well.

8. Limit your liability–but not your humanity–in how you respond to a situation.

9. Use the opportunity to reset your moral compass (i.e., listen to your lawyers, but not to the exclusion of your conscience).

10. If you must, take your medicine–apologize, make reparations–and then put in lasting, game-changing solutions.

11. Become a visible and real part of the solution–no matter what it takes.

12. Begin to be identified with best cases, so that your own “worst case” is forgotten over time.

13. Never, ever, ever make the same mistake again. 

Davia Temin is CEO and president of Temin and Co., a global reputation and crisis management, coaching and marketing strategy consultancy working with corporations and institutions on some of the largest and most headline-grabbing crises of the day. Her website is teminandco.com, and you can follow her on Twitter at twitter.com/DaviaTemin.

http://www.forbes.com/2010/08/12/crisis-management-reputation-brand-forbes-woman-leadership-business.html


A crisis is the ultimate unplanned activity and the ultimate test for managers. In a time of crisis, conventional management practices are inadequate and ways of responding usually insufficient. This author, a communications practitioner with global experience, details a well-managed crisis response that will leave stakeholders with a favourable impression and renewed confidence in the affected company.

Few circumstances test a company’s reputation or competency as severely as a crisis. Whether the impact is immediate or sustained over months and years, a crisis affects stakeholders within and outside of a company. Customers cancel orders. Employees raise questions. Directors are questioned. Shareholders get antsy. Competitors sense opportunity. Governments and regulators come knocking. Interest groups smell blood. Lawyers are not far behind.

As the ultimate unplanned activity, a crisis does not lend itself to conventional “command and control” management practices. In fact, some of the techniques for managing a crisis may fly in the face of conventional notions of planning, testing and execution. Preparation and sound judgment are critical for survival.

Since the Tylenol crisis of the 1980s (unknown parties tampered with bottles of the product), the concept of crisis management has become a specialized activity in the domains of communications and public relations. Companies have come to recognize crisis communications capabilities as a vital part of their risk management and business continuity strategies.

National Public Relations has been on the front lines of some of the highest-profile crises in Canada and beyond, for more than 30 years. We have devoted many more hours to helping companies avoid, manage and recover from a crisis. This article encapsulates our strategy for survival.

1. Crisis prevention: The case for issues management

The first task is to identify crisis risks or to recognize a crisis when it breaks out.

From a communications standpoint, a crisis is a business or organizational problem that is exposed to public attention, and that threatens a company’s reputation and its ability to conduct business.

A crisis can take on many forms, including natural or man-made disasters, environmental spills, product tampering or recalls, labour disruptions or criminal acts, to name a few. What makes them a crisis is the fact that they are the focus of intense media scrutiny.

Although some risks are beyond a company’s control, others can be foreseen. Research shows that the vast majority of crises arise when companies fail to identify a potentially contentious issue at an earlier, more benign, stage, and to develop a plan of action to manage the issue before the issue manages them.

An issue can fester for months, maybe years, until events and circumstances intersect and propel it to centre stage on the public agenda. In some cases, an issue may have been badly handled, and as a result, has escalated to the brink of becoming a crisis. Examples include:

  • A major pharmaceutical company recalls a product that has proven to have adverse side effects. Relentless media attention reveals that the company had known for years about scientific studies that questioned those side effects.
  • A brokerage firm, steeped in its own male macho culture, routinely subjects female employees to embarrassing or degrading working conditions, and ignores the most reasonable of complaints, until an employee launches a lawsuit and gains the support of women’s organizations nationwide.
  • A company’s blue-chip board, having confidence in its high-profile CEO, rubber-stamps his recommendations, until a whistle-blower reveals shenanigans within the company that lead to a special audit and an OSC investigation.

A coordinated approach to issues management can help an organization effectively identify and anticipate potential issues, prevent crises from developing, and influence their evolution and outcome.

The first step is to conduct an issues audit?an inventory of a company’s vulnerabilities and the critical issues it is likely to confront. The task for companies in highly regulated sectors, like energy or pharmaceuticals, is more obvious than for other, less visible enterprises.

Within the company, a series of interviews with senior management is conducted. Business plans, processes, relationships and previous experience are analyzed. Key contacts in the industry, media and oversight functions are identified, and existing communications plans inspected for relevance.

Outside the company, media analysis, legislative tracking, industry reports, polls and surveys all help to bring potential threats to the surface.

Once a framework is established, the critical issues should be identified and prioritized in order of magnitude and likelihood of occurrence.

After the communications audit is complete, an issues manual is developed. This document details critical issues, the history and context of company involvement with them, and the company’s position on each one. If the issues have seeped into the public domain at any point, the level of visibility should be described, and allies and adversaries identified.

Some examples of issues that faced companies in recent years and escalated into crises include:

  •     Canadians’ penchant for bank-bashing was the context in which the country’s major banks unsuccessfully attempted to merge with each other;
  • Advocacy groups raised red flags about unknown risks in producing and consuming genetically modified organisms before GMO-based products were sprung on the market;
  • Heavy industrial emitters knew of Canada’s intention to ratify the ill-conceived Kyoto Protocol on Climate Change years before they expressed their views on its economic impact;
  • Labour groups and others had been advocating better working conditions in the Third World before ethical sourcing became a mainstream concern for retailers.

Creating a crisis communications plan

The issues audit becomes the front end of a company’s crisis communications plan, and arguably, the most important document in the plan. As a complement to a company’s emergency procedures, the crisis plan should contain detailed communications response procedures in the event that any of the potential crises identified in the communications audit, or unforeseen external events, come to pass.

The following is a checklist of the contents of a good crisis communications plan:

  • Names and contact information of the crisis team/ spokespeople. People need to know who holds responsibility for leading the organization through the crisis.
  • Crisis triage. Understanding what level of “crisis” you’re facing. Establishing criteria to decide when a minor incident has the potential to become a national crisis can be a challenge.
  • First response. What information has top priority? How will you initially respond to media?
  • Alert/ notification procedures. Who needs to get information, and in what order of priority? By phone, e-mail, pager or fax?
  • Situation room. Assess the physical space that will be the nerve centre for managing the crisis, including the required hardware and software, staffing, location and layout.
  • Stakeholder communications. How do you plan to communicate with customers, shareholders, employees, government and the media?
  • Contact lists. Include the “inputs (which media outlets and Internet message boards should be monitored, which opinion leaders should be kept track of, etc.) and “outputs” (which journalists should be contacted, which newspapers and television programs should be approached, which media outlets need to hear your story).
  • Template responses. Standardized format,language and protocol for all communications.

Access to the crisis plan is essential. Many companies now maintain both print and electronic versions for ease of access and remote retrieval.

Testing the plan

In order to ensure that the messages contained in the crisis plan are delivered effectively and with credibility, and that the plan can be carried out, it needs to be tested. This is where crisis training and simulations come in, as well as media training.

Crisis training is best delivered by outside trainers who take participants through crisis theory and its practical applications to their industry or company. The crisis plan is reviewed and implemented in a simulated crisis to assess the organization’s preparedness, and to identify areas that need improvement. Did the crisis response, when played out, escalate or solve the crisis?

2. Crisis Management: “Plan for the worst; hope for the best”

Despite the best planning and foresight, organizations inevitably find themselves in a crisis from time to time.

  • An oil company’s head office receives a media call asking for its reaction to the bombing of its pipeline in Central America, before the company itself has even heard the first report from the field.
  • A packaged goods company learns it is being sued by disgruntled consumers.
  • A delivery truck driver for a hazardous waste company calls his dispatcher to report he’s been in an accident and spilled his load of chemicals ina densely populated part of town.

Research has discovered common internal reactions when the issue first breaks.

The first casualty of a crisis is perspective. Characteristically, the pattern is one of escalation, with the initial response being surprise, itself the result of a lack of information.

Before the company knows about the incident, cameras are on the scene. In the absence of real information, an organization cannot respond meaningfully. However, that doesn’t stop media from reporting on it live, minute by minute.

As events escalate, management senses a loss of control over the issue. Intense scrutiny by the media, regulators, stakeholders and competitors breeds a siege mentality, tempting a company to batten down the hatches and say nothing at the very time the media is pounding at their door.

Panic sets in. Business planning horizons change from years into hours. Management attention is focused entirely on getting through the next interview.

External reactions mirror these internal dynamics. Initially, an incident may attract the interest of only a small constituency.

  • Reports out of a small town indicate residents are concerned about the quality of its water supply.
  • An obscure illness begins to affect a marginalized group of citizens.
  • A scientific journal questions the safety of technology used in a popular consumer product.

As the hours and days pass, media reports breed a wider concern as other stakeholders become aware of the impact of the situation on them. Curiosity turns into concern and anxiety.

The absence of an adequate response by the players involved breeds anger and fear and invites a desire in others to retaliate for what is seen as wrongdoing. Stakeholders begin demanding answers. They want to strike back, with the view that someone has to “pay” for the consequences. Sooner rather than later, an organization loses the public trust and goodwill upon which its business has been built. Market share begins to erode. Stock prices drop. Government orders an inquiry.

Assessing a crisis

One of the most vital skills a company can possess is the ability to determine if, when and at what level of importance a crisis has struck:

  • Is this a crisis, or is it simply a continuing business problem coming to the surface?
  • Is it confined to a local area, or does it have the potential to become a situation of national or international importance?
  • Has someone verified the incident or crisis?
  • What are the legal implications?
  • What level of resources will be required to manage it?

So what’s to be done? Ten rules for crisis management

1. Respect the role of the media. The media are not the enemy; they have direct access to the audiences you need to reach. Rather than avoiding media, use them as a conduit to communicate key messages. Prepare a statement that includes the confirmed facts; communicate what the company is doing and provide background information.

2. Communicate, communicate, communicate. The first rule of crisis management is to communicate. Early hours are critical and they set the tone for the duration of the crisis. The media’s first questions are likely to be simple and predictable:
  • What happened?
  • Where?
  • When did you know of the problem?
  • What are you doing about it?
  • Who’s to blame?
  • Were there warning signs?
  • How will life or property be protected or compensated?

Be as forthright as possible; tell what you know and when you became aware of it; explain who is involved and what is being done to fix the situation. Be sure to correct misinformation promptly when it emerges.

  • In the aftermath of the 9/11 tragedy, New York Mayor Rudolph Giuliani held a press conference in the ruins of Lower Manhattan that afternoon. In the coming days, he became the reassuring voice of calm for worried residents of the city.
  • In the hours, days and months after the 1998 crash of Swissair 111 in Nova Scotia, the Transportation Safety Board of Canada held a series of media updates on the status of the crash investigation, and provided regular safety alerts to the international aviation community.
  • When Pepsi-Cola heard first reports of syringes being found in soft drink bottles in 1993 — which turned out to be hoaxes — it launched a broad communications offensive to reassure consumers. Tactics included media relations and interviews, company open houses, video news releases, third-party endorsement and consumer hotlines.

Remaining silent or appearing removed, perhaps on the advice of legal counsel, tends to enrage the public and other stakeholders. A balanced communications strategy must be developed that protects corporate liability while satisfying the demands of today’s information and media dynamic.

As demanding as the public may be, they are usually inclined to give an organization the benefit of the doubt in the early hours of a crisis. They judge a company and its leaders not by the incident itself — which they recognize is often beyond the control of those individuals — but by their response.

3. Take responsibility. One of the more controversial tenets of crisis management is that someone involved in a crisis must be prepared to empathize, even publicly apologize, for the events that have transpired. This is different from accepting blame. Taking responsibility means communicating what an organization is doing to remedy a situation that the media and the public have determined involve that organization in some way.

4. Centralize information. A company needs to move quickly to gain control over information and the resolution of the crisis. Ensure that appropriate levels of management are updated with information from a wide variety of sources (media coverage, analyst comments, competitive intelligence, managers’ first-hand reports, etc.).

5. Establish a crisis team. Create and train the crisis team before a crisis strikes, and establish a situation room. During a crisis, when everyone goes into action, be sure the team has access to the highest levels of management.

6. “Plan for the worst; hope for the best.” Assume the worst-case scenario. Develop contingencies for the hours and days ahead, forecast possible consequences and determine plans of action.

7. Communicate with employees. Remember that employees are your front-line “ambassadors” in a crisis. Be sure they are aware of what the company is doing to deal with the situation.

8. Third parties. Use third parties to speak on your behalf. Third parties act as character witnesses and often carry more credibility than the organization at the centre of a crisis.

9. Use research to determine responses. Polling, market research and focus groups provide essential insight into the magnitude of a crisis and public attitudes about where hidden issues may lie. Monitor the Internet, chat rooms and blogs.

10. Create a website – If circumstances warrant, create a website to give quick, up-to-the-minute information and get the company’s story out.

Tips for handling media in a crisis

3. Crisis recovery: Regaining trust

As the crisis comes under control, a company should examine the impact the incident has had on its brand(s) and reputation. If the brand has taken a hit, a company may need to give consumers a reason to trust them again.

Companies should consider a broad range of potential communication initiatives to restore trust and loyalty.

  • Following a recall of millions of cases of beer that may have contained a few bottles tainted with caustic cleaning material, a major brewery ran ads in newspapers across Canada, assuring consumers the problem was rectified and offering them coupons redeemable for a free beer.
  • A major appliance company weathered controversy following the closure of a manufacturing facility that saw hundreds lose their jobs. The company ran a major public relations and advertising campaign to remind customers that it continued to have an active presence in the country, and was here for the long haul
  • An international mining company seeks to restore normalcy to an overseas site that has been occupied by demonstrators and attracted an international backlash. The company begins a real effort at stakeholder communications and engagement, learning to work with its staunchest critics.

An entire arsenal of public relations techniques can be called upon, from media relations, internal communications, and thought-leadership initiatives to comprehensive corporate social responsibility programs.

Public opinion surveys can track changes in attitudes towards a company in the weeks and months after reputation-focused programs are launched.

Weathering a crisis: The last word

Most lectures on crisis management point out that the Chinese expression for crisis, wei ji, is a combination of two words: danger and opportunity. While no company would willingly submit itself to the dangers inherent in a crisis, the company that weathers a crisis well understands that opportunity can come out of adversity. A well-managed crisis response, coupled with an effective recovery program, will leave stakeholders with a favourable impression and renewed confidence in the affected company.

maanantai 28. syyskuuta 2015

Trigger 4: How to Visualize Your Brand Identity?

Problem: How to visualize your brand identity?

Learning objective 1: Elements of visual brand identity

what is corporate
visual identity?

Corporate visual identity is the face of every company and organization on the planet. It is instantly identifiable and drives customers to buy a particular product or service.

The five tools of consistent corporate visual identity branding are: Logo, type, color, slogan & supergraphic. When used together on the web, in advertising, or trade show exhibits, they build a consistent company brand.

Corporate Visual Identity has evolved into one of the most valuable and long-lasting investments an organization can make. Your brand must stand out and communicate precisely your product and your organization's mission..

Today's world is visual!
With 24 hour media exposure and endless Internet marketing, and virtual gaming,
you must have strong graphics or you run the risk of being ignored.

jswCREATIVE has the experience.

jswCREATIVE knows the importance of visual identity. We take the time to listen and fully understand the organizations goals.

We have experience in establishing detailed guidelines and are able to help enforce compliance. We are passionate about creating corporate identity and we are honored to help businesses project a consistent professional image.

1.
what's a good logo?


Logos or trademarks are the visual signature for the business world.They are the primary element in developing a Corporate Visual Identity.

jswCREATIVE has designed logos that have been used successfully around the world. But creating a reproducible logo is not as easy as one might think.

The best logo in the world doesn't work if it can't be reproduced.

When designing a distinctive mark and custom logo, our goal isto configure it to work in different sizes, shapes and formats, and capable of being reproduced in multiple media venues.

Horizontal, square or vertical. Full color or B&W. Large or small, Light or dark. It has to work in all cases.

When we design a logo, we supply all the digital files required for the Web, print & exhibit graphics.

File formats: Tiff / JPG / EPS

Various color modes:

RGB for online, PDF or email
Hexadecimal for HTML Web
CMYK for four-color process printing
PMS Colors, Pantone Matching System
Thread Color for embroidery
Vinyl Colors for signage

2.
the power of type!


Typography is the design element that adds creativity to text and headlines.

We use this powerful tool to guide the viewers eye to our main selling point regardless if it's a logo, headline or a slogan.

Establishing guidelines on how and when to use type fonts is a requirement in today's multi-media world. Our planning ensures that at a local level or a global level the marketing materials will have consistent branding.

3.
show off your colors!


Color is a trigger element in Corporate Visual Identity. On a store shelf or driving down a freeway, viewers are drawn to color like moths to a flame.

Consistent color identifies the brand.

For example, takePeter Pan Bus Lines. Their corporate color has been GREEN for 75 years! Take that color away, and it's suddenly not the same brand.

Other great examples are "The Black Knight" Gary Player, whose corporate color is black. McDonalds has the golden arches. Pepsi is blue, and Coca-Cola is red.

These companies realize the importance of consistent use of color in their branding.

4.
a slogan, why?


A slogan is a memorable phrase or motto used repetitively to reinforce a positive sales message, define a business niche or project an idea. A slogan can help define a company.

Slogans are another tool to help define your corporate visual identity. A good slogan can be more memorable than the company name or logo.
Remember... "Where's the beef?

Who comes up with the slogan?

Slogans are sometimes the brain-child of one individual. But most of the time it's a group effort, and that is what we prefer.

When developing a slogan, we work together with clients marketing and sales departments. In some cases the client already has an established slogan that works. Why change it?

Including a slogan in the Corporate Visual Identity, adds power to the package by supporting the logo, type, color pallet and super graphic.

Slogan Rule #1 ... keep it simple!
Slogan Rule#2 ... use it consistently!

5.
what's a
supergraphic?


This is the super hero that ties the visual identity together. Logos, images, type and slogans all become interlaced with the supergraphic.

Not all supergraphics need to be large or over powering. They can be light and subtle, but must act as the graphic identifier in cross-media applications.

jswCREATIVE uses this technique for most of our clients' Corporate Visual Identity because it has such a high visual retention rate with viewers.

We design supergraphics with the same care and thought that we do for logo design. The supergraphic needs to be used consistently and persistently to be effective.

Everything we do focuses on building a powerful and memorable Corporate Visual Identity.

http://www.jswcreative.com/visualidentity.htm


1. Choose the right brand name

Even though naming isn’t technically part of the visual design process of brand identity, the brand name should still be considered a visual element. A strong brand name shouldn’t just sound right and be easy to pronounce; it should look right too. Even if you hire a gifted design team, a poor brand name can eliminate the opportunity for a successful visual brand identity.

2. Create a consistent visual style

All of the brand elements should follow a consistent visual style throughout. If, for example, a decision is made to design a brand identity that is visually romantic and endearing, then this style should be applied to all visual elements. Exceptions can be made for advertising campaigns, but the overall brand identity should always be uniform. This is why visual style guides are always a vital deliverable as they help maintain consistency. Here's a visual style guide I created for Rare Obsession.

3. Develop a compelling logo

The logo is the flagship image of any brand. Logos can quickly speak volumes about your business, your mission and what services you offer. An enterprise without a logo has no chance of making an impact on its target audience. The logo is the most essential and valuable visual element of your brand, so keep this in mind when allocating your branding budget and hiring professionals. Below is the logo I designed for Lions & Lambs.
small-business-brand-identity

4. Pay attention to color

Colors can play an integral role in brand recognition and brand loyalty. They influence our emotions and help us distinguish between competing brands. Having acknowledged this, considerable research should be carried out before deciding on a final brand color or palette. Cadbury’s, the UK based confectionery producer, considers their own brand color so important to their identity that they went as far as copyrighting their "Cadbury Purple," or Pantone 2685C as it is more commonly known.

5. Select appropriate typography

Typography concerns the style and appearance of any lettering or fonts used as part of your visual brand identity. These characteristics can have a significant influence over people’s purchasing decisions and help to further emphasize the message of your brand. Typeface and font choice can affect whether the right message is being communicated and these should conform to the overall visual brand style. Wrong choices can be disastrous, for example a playful font such as the ever-popular Comic Sans would not be suitable for a serious brand image.
small-business-brand-identityGareth Hardy is a British brand identity designer with a wealth of experience in delivering revolutionary branding solutions. Working under the tongue-in-cheek moniker of Down With Design, Gareth has worked for clients both domestically and internationally, of all sizes and from a variety of industries. In 2011 he wrote the successful book, Smashing Logo Design (Wiley), which covers design theory and the techniques needed to build great logos.

https://www.waveapps.com/blog/visual-brand-identity-design/


Images are often the first elements of communications people notice, and it’s important that NMSU branded communications have a uniform, readily identifiable look.
Below are NMSU brand’s key visual elements. Follow the links for more information about the visual elements.
Official Logos — NMSU’s distinctive logo, and other marks, serve as central pieces of our visual identity. They unite and impart credibility to NMSU media.
Tagline — NMSU’s tagline (All About Discovery!) quickly communicates to all audiences our proud tradition of advancing academic, personal and professional success.
College, Department and Program logo setup — All departments and offices should use the NMSU logo; by proudly utilizing it within this format, each department, office and unit becomes represented as an integral piece within the university.
Color Palette — The NMSU color palette is an important part of presenting consistent visuals in printed and digital communications.
Branding Bars — Precise use of the NMSU branding bars helps viewers immediately identify the university.
Photography — The use of branded photography in print and digital media quickly conveys to audiences a true picture of our campuses, and the faculty, staff and students who make up the NMSU family.
Typeface — Primarily, NMSU is represented in print by “Rotis”and “Lucida Grande” for digital media. NMSU uses a selection of typefaces from each font family.

brand.nmsu.edu/a-message-from-the-president/visual-brand-elements/


Learning objective 2: What is the process of creating and managing a brand identity?

Staying on top of the visual branding game with a limited budget

By Jennifer Borton, iStock Senior Illustration Manager

Previously published in My Business
We are taught as children not to judge a book by its cover. However, that lesson doesn’t necessarily apply to business, and customers will often judge a company by how their brand looks. Therefore, it is crucial to create a visual identity for your brand that is appealing to customers and communicates the right messages.
Visual identity plays a key role in the branding strategy of any business, regardless of size or industry. As the visual expression of a brand, it may encompass many design elements such as shape, color, imagery, typography and composition. A consistent style should be identifiable across all visual communications, from print collateral to digital media. Today, to be taken seriously, you need a clean web presence, supported by professional stationery and collateral to help reinforce your visual identity. Once established, this strong identity helps to define your company, set it apart from the competition and encourage brand loyalty.
Invest your visual brand with the importance that you afforded your business plan.

Designing your visual brand

While it is important to think visually, it is essential that you are very clear about the key messages that you are trying to communicate before you start designing.
Invest your visual brand with the same importance that you afforded your business plan. Write a strategy that clearly outlines your ideas and what you want to achieve. Look through your content and pick out the key concepts and themes that appear throughout. Using these ideas as 'keywords,' begin searching for design elements and imagery that reflect them. Bear in mind that imagery should serve as visual breaks for your content that will help the viewer comprehend what's written.

Keep it simple

While it ultimately depends on the brand, a cardinal rule of design is that typically, simple is best. A clean, smart illustration will communicate an idea quickly and from a distance. A picture can say a thousand words, so the images you choose will speak volumes about your brand.
Select imagery that has a unique element, something that will stand out and make your brand memorable, and always match your visual style. So, if you're using an illustration, check to see what else the artist has produced and consider how these visuals could be incorporated into other parts of your site or print collateral. This will give your communications visual cohesion and may even give the impression that you have had your imagery custom created.

Know your competition

Don’t forget to check out your competition. What are they doing well and what could they improve upon? What other brands (even outside your space) do you admire and why? Are there ways you can emulate what they've done well without being a copycat?

Professional creative tools

Many small businesses don’t have the resources to hire design firms or professional photographers to create their content, and instead tend to coordinate this themselves. Creating a cohesive visual identity does not need to be complicated or expensive. You might already be familiar with stock image companies like iStock as a place to go for photos – perhaps stock is already part of your business. What you might not know is that it’s also a great place to go for illustrations, including files that can be used as backgrounds, borders or design components of printed materials.
Once you have committed to a look and feel, draft a set of guidelines to help ensure that your brand maintains consistency as it grows and evolves. These guidelines should describe your company values and spirit, tone of voice, typography style, photographic or illustrative style, color palette, layouts and so on. Setting these guidelines up front and implementing them across all visual communications will help you avoid ending up with an amateur-looking site or company brochure, that doesn't properly reflect the brand.
As time goes by though, how do you evaluate whether the materials you have are in need of a facelift? Ask yourself: Has it been a long time since you’ve considered your presentation? Do you find yourself scrambling to put something together every time a prospect asks for information? Has your industry changed since your business was established? Is there a lot of competition, and how do competing businesses’ materials compare to yours?

Key trends

We have been inundated with advertising in so many forms and for so long now that audiences can see through messages that are false, cheesy or insincere. Due in part to the influx of reality-based television, there has been a trend toward reflecting real people and situations in marketing collateral.
Imagery that captures an authentic moment, a slice of life, is instantly relatable, enabling the viewer to identify with the message being communicated.
In recent travels to Australia, I noticed that the country has a particularly illustration-rich culture, with illustrative mediums ranging from 3D renders to vectors found across advertisements, invitations, flyers and other marketing materials. This is not surprising, as the endless adaptability of vectors continue to make them prime choices for backgrounds, textures and overlays, navigation elements, banners and decorations. What is changing is the way illustrations are used, and the styles that are evolving and growing popular. Reflecting the trend towards authenticity and back-to-basics sites like Pinterest and SMB marketplace Etsy, people are creating and utilizing old-fashioned styles – moving away from heavily computer-generated illustrations.
Here are some key illustration trends to inspire and help get the ball rolling when you create the visual identity and collateral for your brand:
  • Hand drawn style: The hand-made look is not a new trend, but it will definitely stay strong for the time being. Designers continue to explore the textures of chalk, paint, pen and ink, sketchy lines and brushstrokes on paper backgrounds.
  • Organic techniques: The arts and crafts craze is reflected in the growing number of illustrators mixing their tools and techniques – adapting technologies to bring their crafty style onto the screen, rather than having the tools dictate what they can and can't do.
  • Print inspired: One particular off-shoot of all this cross-discipline cross-pollination is the trend towards print-inspired graphics. High contrast wood block-inspired slabs of color are paired with rich textures indicative of the pre-digital print era.
  • Vintage charm: A versatile trend incorporating pretty patterns, lace and a retro feel.
  • Greater detail: As resolutions increase, from the new monitor on your desktop to the screen on your mobile device – designers are taking advantage of the extra pixels.
  • Hero vector: We're seeing more and more illustrations front and center, not simply overlaying and supporting other imagery.
Whatever style you choose for your visual brand, make sure that you keep it honest and consistent. The visuals you use need to reflect the key touch points of your brand or you risk creating a disconnect between your brand promise and experience, and undermining customer confidence in your business.
Your brand is a reflection of your business, so stay true your company’s core values and what it stands for.

http://www.istockphoto.com/article_view.php?ID=1568


Learning objective 3: examples of visual brand identity

Dropbox already made it onto our list of companies to admire for consistent, stellar branding, but what makes this company's visual content so awesome is more than just its consistency. The cloud software file storage and sharing business uses colored-pencil drawings to showcase its playful personality. Just take a look at the email and Facebook post examples pictured below:

Dropbox_Email
Dropbox_Facebook_Promotion-1
While the actual designs themselves aren’t particularly special, it’s the style of the visuals that makes them brilliant. Bright colors and visible stroke lines that wobble -- these playful, down-to-earth design elements make you think a real human is behind Dropbox. Furthermore, associating these images with Dropbox increases brand recognition whenever someone sees a similarly styled image online. And since Dropbox is trying to compete with internet giants like Google, it definitely helps to have extra compelling, recognizable content to set them apart. These visuals make Dropbox seem more humanized and user-friendly than its competitors, all without making use of a single screenshot of the product itself.

http://blog.hubspot.com/marketing/b2b-visual-content-examples
http://memolition.com/2014/07/04/the-best-of-the-worst-logo-designs/


Does your company have a brand identity that is more than just a logo? While a logo is a good place to start, you should consider building your “visual position” to be something larger. Building a system for your brand allows you to meet the demands of different media, while still presenting a cohesive identity.
For example, web site design only allows a limited number of font choices, but that doesn’t mean you shouldn’t have a corporate typeface for printed marketing materials. In fact the more elements you can establish as your basic look and feel will mean that variations from that scheme won’t make your brand identity disintegrate.
  1. Logo or wordmark. A logo is a graphic symbol, whereas a wordmark or logotype is just the words of your company or product name set in a specific, fixed way. These elements should be professionally designed and set.
  2. Different logo “lockups”. While your logo should always be rendered consistently, you will need variations based on placement and usage. For example, you may need color and black and white variations, you may need versions for horizontal and square applications. But they all should have the same essential qualities.
- See more at: http://www.visiblelogic.com/blog/2010/04/8-essential-elements-to-a-comprehensive-brand-identity/#sthash.A4Xgh7G4.dpuf
Does your company have a brand identity that is more than just a logo? While a logo is a good place to start, you should consider building your “visual position” to be something larger. Building a system for your brand allows you to meet the demands of different media, while still presenting a cohesive identity.
For example, web site design only allows a limited number of font choices, but that doesn’t mean you shouldn’t have a corporate typeface for printed marketing materials. In fact the more elements you can establish as your basic look and feel will mean that variations from that scheme won’t make your brand identity disintegrate.
  1. Logo or wordmark. A logo is a graphic symbol, whereas a wordmark or logotype is just the words of your company or product name set in a specific, fixed way. These elements should be professionally designed and set.
  2. Different logo “lockups”. While your logo should always be rendered consistently, you will need variations based on placement and usage. For example, you may need color and black and white variations, you may need versions for horizontal and square applications. But they all should have the same essential qualities.
  3. Key colors. A corporate color palette is usually defined by the colors in a logo. Often these are one or two colors only, although some are more complex.
  4. Additional color palette options. In addition to the colors in your logo, what other colors complement them? This can be loosely defined such as: bright and bold, pastel, or cool colors. Or, they may handpicked from a color swatch book. These additional colors are often what really brings together (or makes a disconnect) from one point of contact to the next.
  5. Corporate typefaces. Choose just a handful of fonts to be used whenever there is printed materials. Make sure these are available on all the computers that will create these documents.
  6. Standard typographic treatments. Your typographic identity should include ways of handling key types of text, perhaps a consistent way of styling headlines or pull-out text. Work to make these similar from one application to the next. It may be the way you write your URLS, or the way you capitalize your headlines.
  7. Consistent style for images. You don’t need to use the same photos over and over again, but all imagery should have a consistent look and feel. Maybe the photos are brightly lit and the subject is looking right into the camera. Or, the photos have a subtle color palette and the people never look at the camera but are engaged in their activity. Photos could be close-ups, soft focus, or crisply detailed. You don’t need to use photos! You can use line art, illustrations or just charts and graphs. Whatever you choose, use a consistent style in all materials, whether printed or online.
  8. Have a full library of graphic elements. These are all the small details that really build a branding system. It could be a background texture, a line style treatment, a use of white space or color blocks. These are the areas where do-it-yourself-ers start to suffer, and where a professional graphic designer can pull together a cohesive look for you.
When you have a comprehensive and broadly built graphic identity, it creates a foundation for a rock solid brand identity.
The truth is, that once you start making things, your identity standards are going to be tested.
For example, item #5 (choose a corporate typeface) is not going to be fully applicable on your web site (unless you’re Ikea and choose Verdana for everything). But if you have seven other branding elements that are strongly apparent in the web design, the site will still be able to promote your recognizable brand. If on the other hand, those other graphics are not well-defined and well-used, each application you create dilutes rather than builds a comprehensive brand identity.
- See more at: http://www.visiblelogic.com/blog/2010/04/8-essential-elements-to-a-comprehensive-brand-identity/#sthash.A4Xgh7G4.dpuf

maanantai 21. syyskuuta 2015

Trigger 3: How to Build a Strong Brand?

Problem: how to build a strong brand?


Learning objective 1: define elements of brand identity.

Does your company have a brand identity that is more than just a logo? While a logo is a good place to start, you should consider building your “visual position” to be something larger. Building a system for your brand allows you to meet the demands of different media, while still presenting a cohesive identity.
For example, web site design only allows a limited number of font choices, but that doesn’t mean you shouldn’t have a corporate typeface for printed marketing materials. In fact the more elements you can establish as your basic look and feel will mean that variations from that scheme won’t make your brand identity disintegrate.
  1. Logo or wordmark. A logo is a graphic symbol, whereas a wordmark or logotype is just the words of your company or product name set in a specific, fixed way. These elements should be professionally designed and set.
  2. Different logo “lockups”. While your logo should always be rendered consistently, you will need variations based on placement and usage. For example, you may need color and black and white variations, you may need versions for horizontal and square applications. But they all should have the same essential qualities.
  3. Key colors. A corporate color palette is usually defined by the colors in a logo. Often these are one or two colors only, although some are more complex.
  4. Additional color palette options. In addition to the colors in your logo, what other colors complement them? This can be loosely defined such as: bright and bold, pastel, or cool colors. Or, they may handpicked from a color swatch book. These additional colors are often what really brings together (or makes a disconnect) from one point of contact to the next.
  5. Corporate typefaces. Choose just a handful of fonts to be used whenever there is printed materials. Make sure these are available on all the computers that will create these documents.
  6. Standard typographic treatments. Your typographic identity should include ways of handling key types of text, perhaps a consistent way of styling headlines or pull-out text. Work to make these similar from one application to the next. It may be the way you write your URLS, or the way you capitalize your headlines.
  7. Consistent style for images. You don’t need to use the same photos over and over again, but all imagery should have a consistent look and feel. Maybe the photos are brightly lit and the subject is looking right into the camera. Or, the photos have a subtle color palette and the people never look at the camera but are engaged in their activity. Photos could be close-ups, soft focus, or crisply detailed. You don’t need to use photos! You can use line art, illustrations or just charts and graphs. Whatever you choose, use a consistent style in all materials, whether printed or online.
  8. Have a full library of graphic elements. These are all the small details that really build a branding system. It could be a background texture, a line style treatment, a use of white space or color blocks. These are the areas where do-it-yourself-ers start to suffer, and where a professional graphic designer can pull together a cohesive look for you.
When you have a comprehensive and broadly built graphic identity, it creates a foundation for a rock solid brand identity.
The truth is, that once you start making things, your identity standards are going to be tested.
For example, item #5 (choose a corporate typeface) is not going to be fully applicable on your web site (unless you’re Ikea and choose Verdana for everything). But if you have seven other branding elements that are strongly apparent in the web design, the site will still be able to promote your recognizable brand. If on the other hand, those other graphics are not well-defined and well-used, each application you create dilutes rather than builds a comprehensive brand identity.
http://www.visiblelogic.com/blog/2010/04/8-essential-elements-to-a-comprehensive-brand-identity/

1. Choose the right brand name

Even though naming isn’t technically part of the visual design process of brand identity, the brand name should still be considered a visual element. A strong brand name shouldn’t just sound right and be easy to pronounce; it should look right too. Even if you hire a gifted design team, a poor brand name can eliminate the opportunity for a successful visual brand identity. 

2. Create a consistent visual style

All of the brand elements should follow a consistent visual style throughout. If, for example, a decision is made to design a brand identity that is visually romantic and endearing, then this style should be applied to all visual elements. Exceptions can be made for advertising campaigns, but the overall brand identity should always be uniform. This is why visual style guides are always a vital deliverable as they help maintain consistency. Here's a visual style guide I created for Rare Obsession.

3. Develop a compelling logo

The logo is the flagship image of any brand. Logos can quickly speak volumes about your business, your mission and what services you offer. An enterprise without a logo has no chance of making an impact on its target audience. The logo is the most essential and valuable visual element of your brand, so keep this in mind when allocating your branding budget and hiring professionals. Below is the logo I designed for Lions & Lambs. 
small-business-brand-identity

4. Pay attention to color

Colors can play an integral role in brand recognition and brand loyalty. They influence our emotions and help us distinguish between competing brands. Having acknowledged this, considerable research should be carried out before deciding on a final brand color or palette. Cadbury’s, the UK based confectionery producer, considers their own brand color so important to their identity that they went as far as copyrighting their "Cadbury Purple," or Pantone 2685C as it is more commonly known. 

5. Select appropriate typography

Typography concerns the style and appearance of any lettering or fonts used as part of your visual brand identity. These characteristics can have a significant influence over people’s purchasing decisions and help to further emphasize the message of your brand. Typeface and font choice can affect whether the right message is being communicated and these should conform to the overall visual brand style. Wrong choices can be disastrous, for example a playful font such as the ever-popular Comic Sans would not be suitable for a serious brand image.
https://www.waveapps.com/blog/visual-brand-identity-design/





http://www.slideshare.net/CarolPhillips/defining-brand-identity

Learning Objective 2: how to communicate brand identity?

Businesses sometimes happen before brands do. Business owners are busy serving customers and doing everything that comes with running a business that sometimes, they don’t have time to stop and think about,what is my brand?
You brand is the identity of your company and what your customers and community can expect from the way you interact with them and the service/products you provide. A business is an operation, a brand is a more intangible aspect of this.
What a Brand Is in a Word Cloud
Oftentimes, when a brand identity is not explored upfront, a brand already exists due to the culture of the company, its people and how they deal with day-to-day issues.
But when the brand identity is explored and defined upfront, it adds order to a somewhat chaotic and intangible thing. When your company has this, it possesses the guidelines for how it will handle every situation, every customer, every staff member, every communication and every message – even down to the type of font you use on your website and the colors of your company.
When you have those brand guidelines, you are able to always revert to them and ask, is this upholding our brand? And if the answer is no, you know what to do.
But how do you figure out what your brand is? And how do you let people know about it?
It all starts with research. Here, we take more traditional marketing tactics and transition them to the Web marketing space. In this post, I’ll share with you ways you can use research to discover what your brand is and how to communicate that through content, your website, visuals and interactions with the community.

Research: Talk to Your Community

You may think you know your company better than anyone. And while you may know your business inside and out, this doesn’t mean you understand your brand.
It’s not that you don’t know, it’s just that you cannot possibly be everywhere at once. So how you think your company interacts and delivers might be based solely on your interaction alone.
The best way to get outsider perspective and understand how your community feels about your company today is to ask them.
You’ll first need a sample of your community. The disclaimer on this is that there are companies out there who do nothing but quantitative and qualitative market research and take a very scientific approach so that the data is not skewed. If you’re performing your own brand research, you’ll need to be discerning with your sample.
While this quick-and-dirty approach to research may not give you extremely accurate results statistically, the information you uncover is invaluable. So try to be as objective as possible when choosing your audience.
First, identify all your possible audiences. In this example, it might be:
  • Current customers
  • Past customers
  • Vendors
  • Internal staff
  • Prospective customers
  • Colleagues in your industry
  • People in your social communities online (which could be a mix of all of those but their behavior and expectations might be different than offline community).
You may want to segment these audiences by location, department or whatever other segmentation makes sense. You might choose to pick people at random exclusively, or you might choose to add in a few people that are representative of those who’ve had a stellar experience with your company, and those who’ve had a horrible experience as well. You want to understand all points of view about your brand.
Then you have to define the questions you want to ask. Also use discretion when you are choosing the questions you are going to ask your community. You want them to support the primary questions you are trying to uncover about your brand, and you also want them to be as objective as possible (no loaded questions that might sway their answers one way or another).
Here, you are looking for things like:
  • Perceived value of your products, services and company.
  • What people know and believe about your company today.
In the end, it may be completely different than what you believe they think.
Here’s a couple ways you can gather data:
  • Online surveys: Use a simple survey via Survey Monkey to only ask the most relevant questions. People typically don’t want to answer a long, drawn-out survey, so make it as simple as you can for them.
  • Phone surveys: Get some people on the phone to ask your community the questions. You might you get more responses this way. Again, make it brief as you can; respect their time.
  • Focus groups: Sometimes it’s more efficient to get everyone in a room together and hold a focus group. But this only works if you are looking for feedback from a sample of people in one particular area (this could work for staff interviews).

Research: Market Competitors

You’ve probably heard of the SWOT analysis? It’s a traditional marketing diagram that helps you get a picture of the competitive landscape and where you fit in. In the diagram, you explore the strengths, weaknesses, opportunities and threats of a business.
You can use the SWOT to get a picture of your market competitors – those companies that you believe to be your competition in your space (prior to keyword research, because your online competitors and market competitors tend to vary).
In this research, you can begin to note what your differentiators are from your competition. During this exercise, you’ll also want to note things your competitors are doing with their branding like:
  • What colors what imagery
  • How they are talking to their community
  • What caliber of content they are providing in their marketing efforts
Especially if you’re in the business of creating content, take note at what sort of content they are offering their community to position themselves as thought leaders and capture the attention of their prospective customers.

Research: Online Competitors

Your online competitors are any competitors that are competing for attention online with you. It begins with the keywords and topics you are writing about. Assuming you already have a keyword set for your website, your online competitors start with that.
Who is showing up in the results for the queries you are competing for?
Look at those companies that are ranked for the keywords you are trying to target (Using tools to discover who is ranking is best so the results aren’t skewed by the many factors that change Google’s results.)
Apply the same exercise to that primary competition using the SWOT and noting similarities, weaknesses, colors, imagery, messaging and where your brand differentiates. Your competitors can and will change on the Web for any given keyword, so keep that in mind before you do this.
Probably the most revealing part of this exploration is what you can learn from looking at your online competitors and the quality of their site. You might identify quick wins for your site in the search results over your competitors.
Take a look at the principles of Google’s leaked quality rating manual to get a feel of what quality means to Google. You can also take a peek at alist of questions Google provided that are representative of what Google may be looking for when rating sites:
  • Would you trust the information presented in this article?
  • Is this article written by an expert or enthusiast who knows the topic well, or is it more shallow in nature?
  • Does the site have duplicate, overlapping, or redundant articles on the same or similar topics with slightly different keyword variations?
  • Would you be comfortable giving your credit card information to this site?
  • Does this article have spelling, stylistic, or factual errors?
  • Are the topics driven by genuine interests of readers of the site, or does the site generate content by attempting to guess what might rank well in search engines?
  • Does the article provide original content or information, original reporting, original research, or original analysis?
  • Does the page provide substantial value when compared to other pages in search results?
  • How much quality control is done on content?
  • Does the article describe both sides of a story?
  • Is the site a recognized authority on its topic?
  • Is the content mass-produced by or outsourced to a large number of creators, or spread across a large network of sites, so that individual pages or sites don’t get as much attention or care?
  • Was the article edited well, or does it appear sloppy or hastily produced?
  • For a health related query, would you trust information from this site?
  • Would you recognize this site as an authoritative source when mentioned by name?
  • Does this article provide a complete or comprehensive description of the topic?
  • Does this article contain insightful analysis or interesting information that is beyond obvious?
  • Is this the sort of page you’d want to bookmark, share with a friend, or recommend?
  • Does this article have an excessive amount of ads that distract from or interfere with the main content?
  • Would you expect to see this article in a printed magazine, encyclopedia or book?
  • Are the articles short, unsubstantial, or otherwise lacking in helpful specifics?
  • Are the pages produced with great care and attention to detail vs. less attention to detail?
  • Would users complain when they see pages from this site?
Here at Bruce Clay, Inc., we apply the methodology of “least imperfect” when we optimize a website. Since there are more than 200 ranking signals in the Google algorithm that allow it assess your site as the most relevant for the query, no one website can get them all right. But you can aim to be better over your competition.
So this is your opportunity to spy on how they’ve optimized their site, their link profile, the quality of their content, the user experience and so on (with the right tools). And then ask, how can we do better on our site?
You can also dig into your reputation online – what people are saying about your company and your competitors online in social communities, in forums, in reviews. Google gives tips on monitoring your brand onlineand using the “Me on the Web” feature in Dashboard.

Research: Brand Role Models

What companies in any industry do you admire? What CEOs? What professionals? What are those companies in your space specifically that you feel are doing a really great job? Write those down. These are your brand role models.
These are the brands you aspire to be. Maybe not just like them, but there will be attributes you love and want to emulate. Think about not just where your brand is now, but what you want it to be three, five, 10 years down the road.
Look at these brand role models and explore what they’re doing great. Also look at what they aren’t doing so great and where you differentiate from them. Because there are always differentiators, and this is where your brand shines.

Research: Key Messages, Colors, Visuals, Values

What words some to mind when you think about your company, its people, the way it interacts with the community, the products and services? Write all of these down. In fact, you’ll want to have these written down before you see the research that been performed with your community so your perspective isn’t skewed.
These are the things you believe your company stands for – your brand values. Every company has them; it’s what the company was founded on and the things it’s become. And although it might be a while since anyone thought about what the company stands for, dig deep. It’s there. (And it’s not just to exist profitability!)
Now look at the visual and communicative elements of your company — are they streamlined or is there a mishmash of disjointed representations of your company online and offline?
  • What language (tone, key messaging)?
  • What colors?
  • What images?
  • What fonts?
  • What logos?
Now look at each element in that list I just mentioned:
  • Do you feel strongly about them as part of your brand identity?
  • What can go and what should stay?
Keep in mind that while you may not think about the font you use on your site as part of your brand, it is – every element of how you communicate is a part of your brand. In fact, there are whole communities that thrive around typography and the various attributes a font communicates, what scenarios it’s appropriate in and so on.
If you’re not sure what visuals represent your brand, start gathering those. Using both online and offline sources, collect any words, messages, videos and pictures that are an abstract representation of your brand — those things that give you a certain feeling that you believe is representative of your brand.
You can use a physical wall in your office space and dedicate it to all the stuff you’ve gathered or you can use something like the secret boards in Pinterest, where you can invite others in your company to pin it as they come across items.

Gather: Common Themes

Once you’ve gathered all the data about your company and your competitors through your various means of research, start exploring common themes:
  • What are some of the messages you see being communicated time and time again from the various groups?
  • What common themes were discovered in the online and market research?
Gather all of that information and document it. The negative stuff you uncover should be turned into an opportunity to look inside at your internal processes and find ways to improve. Your community has that perception for a reason. Explore the causes and create an initiative to address that with.
The positive feedback may serve as a foundation for key messages about your brand identity. If people continuously see your company as warm and friendly, then that must be one of the things your brand stands for.
Then, compare the common themes to your original perceptions of the company – any discrepancies? Any validations?
Whatever the common themes are, group the findings together so you have a point of discussion about where the brand is today, and where you want to take it tomorrow.

Communicate: Brand Identity

Once you are done with your research, you should have a report that is representative of your brand identity. This gives you the basis for what you do company-wide, from the way your customer service department talks to people on the phone or in social communities online and offline, to the types of people you hire, to the key messages about your brand that you subtly weave into your content to the images you use.
As I mentioned in the previous section, you will also have a basis for what might need to be fixed and what’s working really well. All of the elements of the brand – down to the type of font you use and the uses of your logo or across mediums – should be documented.
Then comes the streamlining and planning. Looking at all the messages your company disseminates day-to-day both online and offline (messages being the visuals, the personality, the interactions you have) and ask, are these representing our brand? If not, the work begins.
Your content strategy online should be driven by your brand. Starting with the website and the baseline content you create for that, to the ongoing content creations strategy for your business. Every blog post, ebook, video, logo and Meta tag on a Web page should uphold your brand.
The branding of a company should be based on research, and the implementation of it should be top down. In order for a brand identity to shine through, the key is in the consistency. Set rules for when you will absolutely always default to the brand to make key (and sometimes difficult) decisions easier.
Ultimately, your brand identity will seep into every nook and cranny of your company – whether it’s good or bad. So when you’re ready to start exploring your brand, know that at the end of it all, you might not just have a new logo, you may have an entire cultural shift.
http://www.bruceclay.com/blog/brand-identity/
Personal branding is a popular topic in the workplace.   Interest is at an all-time high as people struggle to define their personal brand and live it in ways that come most naturally to them.   When you know yourself and your natural tendencies as a leader, it’s much easier to communicate your personal brand.  When you are out of touch with who you are and what you represent as a leader, it makes you vulnerable and more susceptible that your brand with be defined by others.  This is why so many people in the workplace feel stuck between what others want them to be and how they see themselves.  They fall into the trap of allowing others to represent their brand, on their behalf.  This ultimately makes it more difficult for people to communicate their personal brand if they have never been in a position to manage it themselves.
Personal branding is a never ending journey of self-discovery.  A journey to knowing exactly how to communicate your value proposition – those unique, defining elements that give your personal brand distinction.   A distinction defined by those characteristics embodied by your innate behaviors and influenced by your core values.
You are most proficient at effectively communicating your personal brand when you can describe the interconnected and woven layers that define it, in two words or less (your personal brand keywords).   For example, if you regularly read my Forbes columns, you will notice that there are several common themes that are featured throughout my leadership, workplace, and career management messages.  In fact, I have over 20 categories that I have been able to distill into 6 common themes that represent my unique experiences, learnings, hardships and success stories.  They are as follows:
  • OpportunityPassionate PursuitsEntrepreneurial SpiritGenerous PurposeLegacyAuthentic Identity





Many of my readers have asked how to consistently write original content that is authentic – based on personal experiences that leaders and others in the workplace can relate to.  My response:  personal branding is a leadership responsibility; not a self-promotion campaign.   My responsibility is to share the foundational elements that have shaped and defined my personal brand (Immigrant Perspective) over the course of my life and career.
A personal brand is the total experience of  the relationship that others have with you.   Effectively sharing the total experience of my personal brand with others has involved thousands of hours of self-reflection, introspection and evaluation of my childhood years (which my parents have well-documented), education, career choices, leadership roles, entrepreneurship, and research of my cultural heritage (all of which I have documented).   This journey and responsibility to manage my brand and effectively communicate it with others has challenged me tosimplify the common themes into two words (Immigrant Perspective), to create efficiency in delivering my message in order to provide the necessary clarity of thought in every word, sentence and lesson – all to assure my personal brand is understandable and resonates with others.
This three-pronged approach – one by the way that Apple embraces and uses to explain its brand harmony – represents the most effective way to communicate your personal brand.  The following describes each of these interconnected parts so that you can choose to do the same with your personal brand on your way to becoming a more responsible leader.
1.  Simplicity in Organization
The digital world brought upon us by social media, smartphones, apps, etc., challenges today’s leaders to communicate their personal brand in simpler ways (e.g., Twitter with its 140 character limit).   It has introduced a new, more simplistic form of communication that has transcended the workplace and impacts society at-large.   As such, people now have more of an appetite for “content chunks” that are quickly digestible, relatable and applicable to their lives.
People want their leaders to make it simple to understand their expectations of them.   They don’t want to be lectured; they want to be mentored and inspired.   They want less “corporate speak.” They want to feel safe to be themselves – and a leader that creates such an environment by encouraging freedom of expression and giving them the permission to think, act and innovate in ways that come most naturally to them.
People want to relate to and have something in common with their leaders; they want to trust their leaders.   Convert complexity to simplicity.
Do you communicate your personal brand with enough simplicity to make it relatable and digestible for others to follow?  Does it engage their interest?  Will it help influence their choices and decisions?  Or, is the communication of your personal brand complicated and intimidating to others?
Define the common themes of your personal brand in one or two words.   Think carefully about how your personal brand keywords are interpreted by others.   Are they delivering the message you expect and desire?    Are they simple enough for you to translate into a photo or image?   In other words, if you were going to start your day in the office by sending a message to your colleagues or teams, how you would communicate this in a photo or image?   That is the simplicity you should be striving for in how you communicate your personal brand.    As you continually refine, strengthen and define your personal brand, ask yourself:  if you were to tell a story about your personal brand, what would your photo album communicate?
We are all immersed in the noise that surrounds us.   Simplify how you communicate your personal brand and you will quickly observe people beginning to gravitate towards you.
Simplicity is the art of thoughtful organization.
2.      Efficiency in Delivery
The ultimate impact, value and sustainability of your personal brand is a result of how well you deliver its value proposition.    The personal brands of the most effective leaders have long- lasting impact; they permeate through others.  There is natural ease in a great leader’s presence.  When others are able to immediately apply the lessons learned from a great leader, it is contagious – when there is efficiency in delivery.
Efficiency is a product of consistency, transparency and being true to the real you.  Don’t overthink the process.   Allow the process of how you communicate the delivery of your personal brand to come naturally to you; don’t force it.   Never compare your personal brand to others because everyone’s brand is unique.  People aren’t exactly the same; we just share common experiences that bring us together.
Manage your personal brand as if it were a trademark, an asset that you must protect while continuously molding and shaping it.  As such, throughout the journey, continually test new methods of delivery efficiency.   Discover (through trial and error) the best ways to be most efficient in how you communicate what defines your personal brand distinction.  Is it through something traditional like PowerPoint?  Or something more cutting-edge, like an app,   a blog, or a YouTube video channel?   Do you do best in delivering your personal brand message in meetings?  How about a keynote address?   What is your preferred method of communication for your personal brand?
Remember, everyone has a choice to follow their leader.  Make it worth  their time and earn respect from others by living the brand that best defines you.  When you are efficient, you make those around you more productive and mindful of the importance of seamless communication, which will have measureable impact and maybe even go viral along the way.
3.      Clarity of Message
To have an impactful personal brand that attracts an audience, you must know how to get people to seamlessly gravitate to your most authentic ideas and ideals.   Clarity of thought invites the curious mind.  Great leaders are extremely clear with their message.
Enable people to explore your personal brand message and understand how it applies to their own circumstances.  When you can deliver clarity in your message, it gives people the confidence and willingness to apply your ideas and ideals to their own lives and careers.
Communicating clarity of your personal brand message takes time to master.  Be patient.  It requires you to start exploring, 1) the simplicity in organization and 2) the efficiency in delivery of your personal brand.  In fact, each of these three ways to most effectively communicate your personal brand is interconnected.  Their impact and influence grow stronger as they build upon one another.
For example, when I began the journey of defining my personal brand (Immigrant Perspective) over 20 years ago and began the process of communicating its value proposition – it initially created confusion for most people.  They thought I was an immigration expert (which I am not), rather than a thought leader that was introducing a fresh perceptive on global leadership that was directly influenced by cultural values and heritage.    At first, I thought it would be a hurdle that was too difficult to overcome.  But instead of redefining my personal brand to make it easier for others to understand me – I worked harder at refining my message and identifying the common themes that people would associate with and be able to apply.  Over time, the message became clearer and it started to resonate with people.   The demographic in America became more culturally diverse, the demand to understand the requirements to compete in the global marketplace became increasingly important – and the rest is history.
http://www.forbes.com/sites/glennllopis/2013/07/15/3-ways-to-most-effectively-communicate-your-personal-brand/

Learning objective 3: what re current trends and models in branding?

Overview

During the past decade, we have experienced dramatic changes in our world socially, economically, and politically. Since the early nineties, we experienced the demise of communism and the growth of globalization. We also experienced major re-engineering of large firms and the evolution from the traditional corporate structure to the virtual corporation. More dramatic has been the development of the Internet and its impact on both the workplace and the home.

With all these changes, it is clear that we are facing a new world order, a new way of running businesses, and a new way of living our personal lives. From a business perspective, the following are dramatic changes that have occurred in the past decade:
  • The pace is faster.
  • Businesses are instantly connected to their customers, suppliers, and distributors.
  • Globalization has produced a truly global marketplace.
  • There is so much information available that corporations need to continually interpret it and turn this into useful “intelligence” for their corporation.

Brand Management in the 1980s and Early 1990s

During the 1980s and up until the early 1990s, brand managers could depend on the following factors:

  • A reasonable or realistic brand or product development timeframe or cycle
  • Traditional brand management measurement methods and techniques (e.g., syndicated tracking data)
  • Traditional brand equity models
  • Traditional brand management organizational structure within the corporation

How Brand Management Has Changed in the 21st Century

Overall, the velocity of doing business today has compressed the timeframe for new product development, “time to market,” brand performance tracking, and the analysis of brand equity performance.

More importantly, our rapidly changing world has increased the need for monitoring not only the performance of the brand on a global, regional and local basis, but also the rapidly changing competitive and environmental conditions throughout the world. These factors encouraged our firm to conduct a study to identify the trends in brand management in the 21st century.

Our Approach to the Research

Our initial research involved an extensive review of the secondary literature in the field. We researched the Internet, trade publications, press releases, media, past studies, financial statements, speeches, and the websites of “best in class” brand management leaders.

During the next phase of our research, we interviewed some of the key opinion leaders and practitioners in the field of brand management, as follows:
  • Leading university professors
  • Leading authors
  • Brand management professionals from “best in class” companies
  • Senior executives from advertising firms in North America, Europe, Asia, and Latin America
The staff at SIS International Research then analyzed the interviews and secondary information, resulting in the following findings.

Trend #1: Multidimensional Models vs. Two-Dimensional Models for Brand Positioning

During the 1980s, the leading brand management firms adapted a wide range of two-dimensional models for brand positioning. While these models were sufficient for the 1980s, they were not effective after the early 1990s. Clearly, our world has become more complex and brands have to be developed faster and positioned better in rapidly changing global, regional, and local environments.

To meet this need, scholars and practitioners have developed multi-dimensional models that enable brand management to incorporate the following factors into positioning the brand:
  • To produce techniques which allow the firm to map the brand through the consumer’s eyes.
  • To define lead, strategic, and support brands.
  • To use a non-linear brand management sales approach to position the brand in select market segments.

The Brand Molecule Approach

One state-of-the-art technique is the “brand molecule” mapping approach (source: Lederer and Hill, Harvard Business Review, June 2001). This innovative approach enables brand management to paint a picture of the brand, as it is actually perceived by consumers. It also includes all brands and associations or slogans that have some influence, either positive or negative, on the purchase decision.
Essentially, creating the Brand Molecule Portfolio Map is a three-step process. Although quantitative data is reviewed and there is a certain amount of quantitative analysis, the final mapping is based on the informed decisions or judgments of the brand managers.
Step 1: Create a long list of brands and associations to include in the portfolio (e.g., consider all the brands that influence the customers’ perceptions and choice).
Step 2: Determine which is the lead brand, which are the strategic and support brands, and their relative positioning.
Step 3: Assign values to the different criteria and map the molecule.
The brand molecule approach can be used to map and position brands that are global, regional and local.

Trend #2: Incorporation of Environmental Information into the Brand Management Process

In this rapidly changing social, economic, political and consumer environment, brand leaders have learned the value of tracking environmental information on a continual basis and incorporating this information into their brand management models and positioning.

The following are examples of environmental information that is being tracked and integrated into brand management tracking systems and models:
  • Competitive product information
  • Consumer lifestyles
  • Local psychographic information
  • Local cultural trends
  • Socio-economic factors
The following are examples of sources of environmental information:
  • The media and the press
  • The sales force
  • Consumers
  • Trade associations and industry colleagues
  • Rumors
  • Local demographic information
The following are the benefits of tracking environmental information and integrating the information into the brand management process and systems:
  • The firm is able to address the changing psychology of the consumer, which is often driven by emotions and reactions to the local environment.
  • Consumers need brands that are compatible with their changing lifestyles, which are driven by their external environment.
  • Integration of environmental trends into the brand management process enables companies to take an “inside-out” perspective into their brand management process and systems.
  • Integration of environmental information enables brand leaders to determine the degree of control they have over the positioning of their brands in their three-dimensional models.

Trend #3: Expansion of Brand Management Processes and Organization to the Global, Regional, and Local Levels

With the globalization of corporations in the past decade, many brand management organizations have organized themselves on a global, regional and local basis. Many of the key opinion leaders and practitioners surveyed indicated that global brands are strategically positioned with corporate imagery that can create demand across cultures. On the other hand, local brands are generally positioned directly against competitor brands in terms of product attributes.

Most of the interviewed brand management executives indicated that Global and Regional Vice Presidents of Marketing develop the brand strategy and planning. However, there is wide variation between firms with regards to the role and authority of local brand management. Depending on the culture of the firm and the types of products, local brand management can have a significant degree of decision-making and control of budgets. Overall, our findings indicate the following trends:
  • Strategy and Planning – primarily controlled at the global and regional levels
  • Implementation – primarily controlled at the regional and local levels
  • Evaluation – performed at all levels; most tools and measures are standardized

Trend #4: Reduced Reliance on Traditional Syndicated Data for Tracking Brand Performance and the Development of Customized Tracking Systems

Our interviews with key opinion leaders and practitioners of brand management indicate that while they still may subscribe to traditional syndicated data sources (e.g., customer satisfaction, brand loyalty, brand market share, and price points, etc.), many of the leading brand management firms have either augmented these systems or developed their own customized brand management and brand equity tracking systems which enable them to determine the following:

  • Brand drivers
  • Return on investment in brand equity
  • Local, regional and global positioning
  • Value pricing
  • Line extensions
These customized brand-tracking systems often integrate quantitative tracking data with qualitative environmental and competitive information to produce an effective decision support tool for brand management. The following are some of the types of information which are integrated into these customized systems:

Quantitative Information:

  • Brand market share
  • Brand price points
  • Brand revenue

Qualitative Information:

  • Competitive information
  • Environmental information
  • Distributor information
The net result is that brand management can develop a brand equity index and brand driver analysis with more complete information. Our research also indicated that this information is often shared across the organization to other functional areas, such as finance, product development and engineering, manufacturing, marketing, legal and strategic planning.

Trend #5: Emergence of the Chief Brand Officer and the Elevation of the Brand Management Function in Brand-Oriented Firms

Our research indicated that there is a trend toward a corporate level executive for brand management in the future. According to the interviews with brand management executives in leading manufacturing firms, global brand management is expected to increase in responsibility in the future.

In addition, our research indicates that the degree of centralization or de-centralization of brand management in a firm depends on the culture of the firm and the types of products. The extent of local branding is also a function of the firm’s products and the structure of their brand management organization.
Overall, most opinion leaders and brand management and marketing executives indicate a trend toward a corporate level executive in brand management in the next few years, where it has not already happened.

Conclusions

Overall, brand management has evolved from “product-centric” to “consumer-centric” in the 21st century. Our research indicated that there are considerable differences between firms in terms of their brand management organizational structure and management and their use of brand management paradigms and models.

The research indicates that brand management is becoming more “intelligence-driven” rather than the traditional “product-driven” approach. Consumers are seeking more value from brands and, as a result, companies are seeking to employ more sophisticated models to measure brand equity, drivers of brand equity and value, and techniques to measure their return on investment in their brands.
Firms are employing more psychographic techniques, particularly in local markets. Successful brand leaders are relying less heavily on their traditional syndicated quantitative data. These firms are developing customized market intelligence and brand tracking systems, which are customized to the culture of the firm. Many of these systems augment the quantitative data with qualitative environmental and competitive information to produce an actionable decision support tool for management.
Lastly, there is a trend toward corporate-level brand management executives in the future. This functional area continues to grow in importance as the global environment becomes more complex.
https://www.sisinternational.com/brand-management-in-the-21st-century-trends-and-issues/